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The Film & TV Industry
is growing due to high
demand of content
And WE NEED YOU!
Become Part Of A
Feature Film Assistant
Editor Essentials
This is the essential guide for anyone who wants to work in the Editing Industry! You’ll get advice on what to do after getting hired, your different contacts on set, and much more! Click the button below to discover the editing craft!
Discover Everything
Feature Film Assistant
Editor Immersion 1.0
This course was developed by working Hollywood professionals. We teach you everything we’ve learned from years of real-world cutting room experience. From mastering the editing interface, to having the correct etiquette with editors, producers & directors! Click the link below to join the wait list!
12-Part Intro
Course
The first step in your journey to become an assistant editor! In this introductory course you’ll learn everything an assistant editor needs to know during pre, pro and post-production! Click the link below to start your journey today!
«I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.»
Stanley Kubrick
Meet
Lawrence Jordan, ACE
Editor
Editor
Richard Sanchez
We’re here to help future assistant editors be the best version of themselves they can be and to land top-tier editing positions in Hollywood and beyond!
Want to Become One of the
Movie Business Top
Assistant Film Editors?
Become Part Of A
Feature Film Assistant
Editor Essentials
This is the essential guide for anyone who wants to work in the Editing Industry! You’ll get advice on what to do after getting hired, your different contacts on set, and much more! Click the button below to discover the editing craft!
12-Part Intro
Course
The first step in your journey to become an assistant editor! In this introductory course you’ll learn everything an assistant editor needs to know during pre, pro and post-production! Click the link below to start your journey today!
Feature Film Assistant
Editor Immersion 1.0
This course was developed by working Hollywood professionals. We teach you everything we’ve learned from years of real-world cutting room experience. From mastering the editing interface, to having the correct etiquette with editors, producers & directors! Click the link below to join the wait list!
Discover Everything
«I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.»
Stanley Kubrick
Meet
Lawrence Jordan, ACE
Editor
Editor
Richard Sanchez
We’re here to help future assistant editors be the best version of themselves they can be and to land top-tier editing positions in Hollywood and beyond!
-What to expect
-Get to know the interface
-Be the best asset for the editor
Editor's Room
02
Booming Industry
Booming Industry
to be part of an Editor's Room
to be part of an Editor's Room
Your Instructors
Your Instructors
Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He recently completed the independent feature film Later Days.
Richard Sanchez works as both a visual effects editor and an assistant editor. He's assisted on the films Suicide Squad, Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu's Catch-22 and Bill & Ted Face The Music. He is currently working on a new series for Marvel Studios.
Lawrence Jordan is an Emmy & ACE Eddie nominated feature film and television editor who has worked on over 50 feature films and television shows and is the co-creator of Master The Workflow. As one of the earliest adopters of digital, non-linear editing, he helped lay the groundwork for the modern editorial workflow. He recently completed the independent feature film Later Days.
Richard Sanchez works as both a visual effects editor and an assistant editor. He's assisted on the films Suicide Squad, Robin Hood and Naked, and on the television series Table 19, The Good Place and UFO Hunters. More recently he was the visual effects editor on Hulu's Catch-22 and Bill & Ted Face The Music. He is currently working on a new series for Marvel Studios.
02
Editor's Room
-What to expect
-Get to know the interface
-Be the best asset for the editor
Years of
successful
experience
A first of it’s kind course for aspiring assistant editors who want to make it in our rapidly-growing industry. We’ll reveal the secrets of the feature film & television editing room that will empower you to work on projects of any budget size.
Master The Workflow provides training and real-life working experience from editors with credits on the highest-grossing blockbusters and award winning projects. Our course is recognized as the “industry standard” worldwide with students in over 40 countries.
.... supporting
organizations
.... plus projects
.... students
10
70
800+
Years of
successful
experience
A first of it’s kind course for aspiring assistant editors who want to make it in our rapidly-growing industry. We’ll reveal the secrets of the feature film & television editing room that will empower you to work on projects of any budget size.
Master The Workflow provides training and real-life working experience from editors with credits on the highest-grossing blockbusters and award winning projects. Our course is recognized as the “industry standard” worldwide with students in over 40 countries.
.... supporting
organizations
.... plus projects
.... students
10
70
800+
